This week’s reading covered Volume II, Parts III and IV, in which we jump to 1809 (then back to 1808), Pierre becomes the head of the Petersburg Freemasons and agrees to remarry Helene, Boris and Natasha end their courtship, Andrew (Andrei) sets his sights on Natasha despite Pierre’s protestations, and Nicholas (Nikolai) vows to marry Sonya.
In parts III and IV of Volume II, there is very little of what I would call entertainment, but this is one of the more interesting sections of the novel due to the narrative being driven by a simple, yet complex, question: “What does it mean to life a good life?”
So far, we’ve seen almost every character’s attempt at success or happiness foiled. Pierre thought he would find existential peace through the Freemasons but he’s made little progress in his quest for spiritual fulfillment. Andrew has become disheartened with his forays into both the military and the government. Marya is desperate for religious belonging, but she still feels something is missing. Natasha’s impending marriage to Boris has fallen apart. Nicholas intends to marry Sonya, much to the disapproval of his family. And the list goes on.
There was an undertone of cynicism to Part III, a cynicism I was long expecting but haven’t quite seen yet. (I just assume that every big-ass Russian novel will be sad as fuck.) And maybe I’m just in a bitter place in my life, but I enjoyed it. Tolstoy seems to foreshadow that every effort to improve someone’s life will ultimately end up fizzling out. Things are doomed to failure.