Thanks to a bit of illness last week, I had to double up this week’s reading and cover Volume II, Part V, and Volume II, Parts I and II. If you’re interested in the domestic parts of these sections, please refer to my fellow #warandpeacenewbies‘ articles. For my purposes this week, I’m sticking to Pierre, the Great Comet, and the War that is now in full swing.
Pierre Finds His Morality
Up until this point, Pierre’s new lifestyle hasn’t allowed him many opportunities to claim the moral high ground. For the most part, it’s afforded him the chance to drink his face off, get into all sorts of high jinks, and fuck a bunch of people. Despite his Masonic leanings, he hasn’t exactly been virtuous up until this point. But when he refused to take advantage of a vulnerable, confused Natasha, he put virtue ahead of his own carnal desires for the first time in … well … ever?
Given that Pierre is essentially a simulacrum of Tolstoy, this moment felt more important than Natasha’s brush with disaster. Despite the fact that Pierre is only the focus of the section’s first and last chapters, his journey felt the most significant. In a way, Natasha’s challenges felt like a necessary interlude in Pierre’s story, a bridge that would take Pierre from one position to another. Her circumstance simply provides Pierre with the opportunity to be a moral man.
(I’m not sure if that’s sexist of me, or sexist of Tolstoy, but it’s probably sexist of one of us.)
The significance of this moment is further evidenced by Pierre’s experience with the Great Comet at the conclusion of Volume II.